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The face is not an empty canvas: how facial expressions interact with facial appearance

机译:脸不是一块空的画布:面部表情如何与面部外观互动

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摘要

Faces are not simply blank canvases upon which facial expressions write their emotional messages. In fact, facial appearance and facial movement are both important social signalling systems in their own right. We here provide multiple lines of evidence for the notion that the social signals derived from facial appearance on the one hand and facial movement on the other interact in a complex manner, sometimes reinforcing and sometimes contradicting one another. Faces provide information on who a person is. Sex, age, ethnicity, personality and other characteristics that can define a person and the social group the person belongs to can all be derived from the face alone. The present article argues that faces interact with the perception of emotion expressions because this information informs a decoder's expectations regarding an expresser's probable emotional reactions. Facial appearance also interacts more directly with the interpretation of facial movement because some of the features that are used to derive personality or sex information are also features that closely resemble certain emotional expressions, thereby enhancing or diluting the perceived strength of particular expressions.
机译:面孔不是简单的空白画布,面部表情在其上书写其情感信息。实际上,面部表情和面部运动本身就是重要的社交信号系统。我们在此为以下观点提供了多条证据:一方面来自面部外观而另一方面来自面部运动的社交信号以复杂的方式相互作用,有时彼此增强,有时彼此矛盾。面孔可提供有关某人的信息。可以定义一个人以及该人所属的社会群体的性别,年龄,种族,性格和其他特征都可以仅从面部得出。本文认为面部与情感表达的感知相互作用,是因为该信息通知了解码者对表达者可能的情感反应的期望。面部外观还与面部运动的解释更直接地相互作用,这是因为用于导出人格或性别信息的某些特征也是与某些情感表达非常相似的特征,从而增强或稀释了特定表情的感知强度。

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